Oct. 31st: We had to put our kitty down yesterday. Her name was Freud. She was a beautiful dilute calico, a perfect balance of orange and grey fur on her back, tail, and head, with lovely white chest, belly and stockings. We named her Freud because under the triangle of white nose and cheeks and chin, she had a grey patch that looked like the beard Dr. Sigmund had. She was very sweet to everyone, and slept at the foot of our bed. Sometimes she would tease our dog Genki by rearing up and swatting at her nose. They would have a round in the ring with Freud swatting and Genki wheeling this way and that to dodge her “blows.”

At first I thought I didn’t want to be there when the vet administered her lethal injection. But when she had to endure two failed attempts to get a catheter for the injection into a vein in her leg, I decided she needed me. She had feline leukemia, and was so dehydrated from not eating or drinking that her veins collapsed when they tried to insert the catheter. When the vet finally gave her the injection in a femoral blood vessel, she was so weak that it was difficult to tell when she left her body. She lay on her side as the sedative took her away, while Dan and I stroked her head and cheek.

I knew yesterday morning that I was spending my last hours with her, but I only shed a couple of tears when I had Felix say goodbye to her before he went to school. I thought my lack of overt sadness was because I was tired of being sad, or that I was comforted by getting to say goodbye to her and by the knowledge that she wouldn’t suffer anymore.

But when I held her on my lap in the car while parked at the animal hospital, I sobbed. She shook her head to disperse the tears that fell on her ears. I sobbed with Dan after the vet explained the euthanasia process and left us alone to be with her in the examining room. And I sobbed over her lifeless body. The agony of death and abandonment came flooding back. I pictured Elise’s sweet but lifeless face again, and I wanted to scream helpless curses at the universe.

I was exhausted the rest of the day. I felt thankful that I had a simple life with no work obligations to drag myself through. I was glad we were picking up Felix from school to watch him make his cheerful, uncomplicated way through his day.

I had one work obligation that evening, but thankfully again, it was a comforting one: for the Bozeman Film Festival, I introduced and facilitated a Q & A session for the Japanese film After Life. The story takes place at a sort of way station for the dead: the newly deceased are given 3 days to choose one memory from their lives, which the staff at the way station will recreate on film and screen for them, at which point the dead will leave to spend the rest of eternity with that memory. It’s a languid, thought-provoking film, one that asks what is important to us in our own lives. It celebrates the art of filmmaking, our individual ways in the midst of our need for connection, and the unshakable belief that we will be consoled. One of the characters says that he made the wonderful discovery after many, many years, that he was important to someone. And that is what I hold on to: that even in their tiny, short lives, beings like Freud, who very few besides Dan and I care about, and Elise, who is forgotten or never remembered by most except Dan and me, are important to us, and cherished.